Sound and Silence in the Jim Crow South
Representations of music in Jeremy Love’s Bayou, Paolo Parisi’s Coltrane and Long/Demonakos’ The Silence of Our Friends
Representations of music in Jeremy Love’s Bayou, Paolo Parisi’s Coltrane and Long/Demonakos’ The Silence of Our Friends
Moral slaves and dangerous slaves
Literary expressions of African American experience have always been deeply entrenched in the realm of social perception, spectacle, and visibility.
But can a comic fare any better? Does the form’s interplay of verbal and visual elements provide a more dynamic set of tools for representing blues music and culture?