I thought we’d end (for now anyway!) the roundtable on Charles Hatfield’s Alternative Comics by highlighting some moments from comments. Steven Samuels: When I think of Gilbert Hernandez, I don’t exactly think of lusty, go for broke cartooning. What he does do is write these potboiler scripts where the characters are put through the wringer. [...]
Archive for: Alternative Comics: An Emerging Literature
We’re coming to the end of our multi-week roundtable on Charles Hatfield’s book Alternative Comics. Yesterday, Charles wrote a post defending Gilbert Hernandez from…well, mostly from me and Robert Stanley Martin. In this post I’m going to try to clarify my position somewhat, and also try to tie this discussion into why I thought it [...]
Don’t play with me, cause you’re playing with fire… I hadn’t expected that a roundtable on my book Alternative Comics would become a referendum on Gilbert Hernandez’s work. But something like that happened last week, thanks to the one-two punch of Noah and Robert and their comments about my book’s investment in Hernandez, followed by [...]
Last week several HU stalwarts and guests put a great deal of energy into their analysis of, and conversations around, my book Alternative Comics: An Emerging Literature (2005). I want to thank everyone for weighing in and taking on the work. I’m gratified by your sustained attention to Alternative Comics, even in those instances where [...]
[Note: This is a blog interlude pending the publication of Matthias Wivel's discussion of Charles Hatfield's Alternative Comics: An Emerging Literature] Of the comics which emerged through the independant press during the 80s, few comics have acquired as high a reputation as Gilbert Hernandez’s Human Diastrophism. The recent roundtable on Charles Hatfield’s Alternative Comics: An [...]
I enjoyed rereading Charles Hatfield’s Alternative Comics: An Emerging Literature. I’m not the argumentative type, I don’t have any real objections to the book. I primarily feel a certain sense of distance from many of its chapters. The first chapter offers a historical overview of the “Rise of Alternative Comics.” I’m not a history buff, [...]
Aline Kominksy-Crumb and Charles Hatfield’s concept of “ironic authentication”.