Utilitarian Review 7/10/10

On HU

We started out the week with Kinukitty’s review of the fetishy yaoi Kiss Your Hair.

For July 4, Richard Cook provided a history of Captain America in covers.

Erica Friedman talked about her childhood love for Classics Illustrated (and in comments various Utilitarians debate the worth of Jane Austen.)

Ng Suat Tong discussed Jim Woodring and the world of the Unifactor.

Alex Buchet discusses his own racism in light of Tintin’s.

I discussed the relationship between interviews and criticism, prompting an epic attack in comments from our esteemed proprietor, Gary Groth. Jeet Heer and Tom Spurgeon throw a few punches as well.

Vom Marlowe and her mother explain why Wonder Woman’s new costume sucks.

Caroline Small discusses the art deco illustrations of John Vassos.

And Robert Stanley Martin’s Frazetta thread went on and on and on, with further contributions from Robert, Jesse Hamm, Domingos Isabelinho, Charles Reece, and others. As those who read the TCJ message board have grown to expect, Mike Hunter appears to be the last man talking at the end….

Utilitarians Everywhere
At the Chicago Reader I discuss what’s wrong with experts.

Willie Sutton was famously quoted as saying that he robbed banks “because that’s where the money is.” We go to experts because they’re the ones with the expertise. Sure, we figure out that water is wet and the floor is hard on our own, but it’s not long after we’re up and walking that we start relying on outside sources for information. Electricity turns the lights on, seat belts save lives, the earth is round—for most of us most of the time the basic assumptions of our lives are based on expert knowledge. Which is to say that a lot of what we think we know isn’t knowledge at all, but faith. When the laptop stops working most of us call the tech guy out of childish hope, just as a medieval peasant with a poisoned well might look for a witch to burn.

At Splice Today I express some mild appreciation for the new Kylie Minogue album.

So I hate it, right? Well, not exactly. This album is not good, but I don’t resent its existence. In part, that’s because of the resolute lack of pretension; Aphrodite is rote, but it isn’t going for anything but rote. Kylie isn’t trying to share her pain like Keyshia Cole; she’s not trying to be edgy like Lady Gaga; honestly, she doesn’t even seem like she’s trying to be sexy. You wouldn’t think you could declare, “I am Aphrodite!” without some concupiscent intent, but Minogue pulls it off through sheer plastic anonymity. This is the goddess of love as showgirl Barbie.

Other Links

I enjoyed this article about word balloons in manga and American comics.

Utilitarian Review 7/2/10

On HU

We’ve been busy on HU this week. We started out with Domingos Isabelinho’s discussion of Frans Masereel.

Guest poster Stephanie Folse (aka telophase) compared the visual language of manga and comics.

Guest poster Robert Stanley Martin provided a warts and all assessment of Frank Frazetta.

I provided a belated conclusion to the Komikusu roundtable by comparing the promotion of lit comics with the promotion of awesome manga. In a follow-up post I discussed my own ignorance.

Guest poster Alex Buchet wrote a three part series on race in Tintin. A fourth part to come next week.

And if any one is interested — disco mix!

Utilitarians Everywhere

The new Twilight movie came out this week, and I wrote several essays about Twilight to celebrate.

First at Splice Today I speculated on what Andrea Dworkin would think about the Twilight phenomena.

In short, the millions of tweens trooping in lockstep to the Cineplex to see the latest Twilight saga installment might as well be trekking over Dworkin’s corpse. It’s a wonder she doesn’t just rise right out of the ground, fangs bared, spitting blood, and personally castrate both Robert Pattison and Taylor Lautner with a rusty cleaver out of pure spite.

At the Chicago Reader I talk about class in Twilight:

If Edward is the aristocrat who treats Bella like a delicate queen, Jacob is the swarthy, sweaty working-class hero who won’t take no for an answer. Edward is obsessively safety-conscious and will barely allow himself to kiss Bella for fear that he’ll lose self-control and bite her neck. Jacob, on the other hand, literally overpowers her when he wants a smooch. In human form, he gives Bella a chance to be a little bit wild, riding motorcycles, diving off cliffs, and generally getting in touch with her inner delinquent. When he turns into a werewolf, Bella risks her safety just by being with him, since he has less control over himself than the proper, uptight Edward.

Also at the Reader, a capsule review of the film is here.

Other Links

This is old, but I just found it: Melinda Beasi on Twilight fandom.

An old friend and sometime commenter here, Bryan Erwine has a very entertaining article up about Superman vs. Muhammad Ali.

And this is a fun skewering of the MSM.

Utilitarian Review 6/26/10

On HU

This week at HU was devoted to Komikusu, a roundtable on selling awesome manga. Contributors included Erica Friedman, Kate Dacey, Brigid Alverson, Ryan Sands, Ed Chavez, Shaenon Garrity, Deb Aoki, and Peggy Burns. Also lots of insightful comments from folks like Xavier Guilbert, Melinda Beasi, Sean Michael Robinson, and more. Thanks so much to all those who posted, commented and read. I learned a bunch.

Utilitarians Everywhere

Over at Madeloud I provide an introduction to doom metal.

Dooooooooooooooooooooooooooooom. It sounds threatening and, well, doom-like, but in fact doom metal is a giant furry mammoth that just wants to cuddle and roll all over you…inadvertently crushing you into a gelatinous blot of assorted fluids.

Maybe we should start over.

Other Links

When people think NSFW, they think of things like this.

Utilitarian Review 6/19/10

Starting tomorrow, HU is going to host a roundtable on the marketing of art manga. We’re going to have a whole host of guest contributors…so click back through the week.

On HU

HU suffered a major outage and was down for 9 days. For a moment we thought we were going to lose about half our comments…but the folks at tcj, and especially blog admin Tom came through and managed to restore almost all the damage. More details here and here.

In less apocalyptic news; since the last link roundup, we completed our Asterios Polyp roundtable with posts by Caro, Robert Stanley Martin, me, and Matthias Wivel. Please note that all comments have not been restored to Caro and Robert’s posts; we’re hoping to fix that soon, but at the moment the threads may be a little disjointed.

Suat published a long two part discussion of The Times of Botchan. Part 1; Part 2.

Richard Cook reviewed Iron Man 2 the movie.

Vom Marlowe reviewed Connie Willis’ novel To Say Nothing of the Dog.

Suat discusses Walter Benjamin and comics criticism.

And finally, I have a cheesy country download available, and also a Scandinavian black metal download.

Utilitarians Everywhere

Both kinukitty and I participated in a roundtable about an academic collection of essays analyzing the Boys’ Love genre.

Kinukitty’s posts are here and here.

As it turns out, I was reminded of an observation by G.K. Chesterton. In a 1911 essay, he said (in his cheerful, racist turn-of-the-20-century British way) that he felt Japan had imitated many Western things — the worst Western things. “I feel as if I had looked in a mirror and seen a monkey,” he wrote. And, reading “Rewriting Gender and Sexuality in English-Language Yaoi Fan?ction,” I had a similar experience. I love yaoi. I love Weiss Kruez fanfiction. And, to be overly dramatic about it, this essay ground my longtime passion and obsession into dust and ashes. I looked in the mirror and saw a demographic slice, vaguely exotic, in a Dances with Manporn sort of way, and ready to be dispassionately observed.

My contributions are here and here.

This book really helped me come to terms with my past, my regrets, my desires. Speaking as a straight white cisgendered male, I occasionally regret my transgressive decision to drop out of grad school to explore the fluid, abject jouissance of the non-(i)voried and nontowered. But then I encounter a text like this, and in its quivering, jellylike prose I remember why, though riven by radical difference, still numerous numinous heterogenous communities speak with a single pleasurable speech-act when they utter: “academics fucking suck.”

Over at Comixology I discuss a classical Chinese Zen triptych featuring bodhisattva, crane, and monkey.

Kuan-yin’s calm here may be in contrast to these unenlightened viewers, who squat like monkeys or strut like cranes, curious but oblivious. Or, perhaps, the joke isn’t that the audience is unworthy of enlightenment; but rather that they are already enlightened. Because they are as undignified as the monkey or the crane, those who contemplate the picture have their own plain, contingent place within it, like cranes or monkeys who happen to be nearby when the bodhisattva comes.

At Splice today, I review new releases by Monica and Toni Braxton.

One of the more noticeable results of this transformation was that r&b semi-fused with rap, and the resulting homunculus took over the world. Less spectacularly, the change wreaked havoc with typical pop career arcs. In the normal course of things, you expect a pop act to release a few good albums, and then get progressively crappier until they finally attain a plateau of unlistenable awfulness and fade into oblivion. But after r&b as a genre exploded aesthetically, singers like Brandy and Mariah Carey found themselves doing their best work in their second decade rather than their first.

Also at Splice Today, I reviewed new albums by Christina Aguilera and black metal band Nachtmystium.

All of which leads me to conclude that, if given the choice, I’d rather hear Christina Aguilera perform black metal than listen to Blake Judd try his hand at pop R&B. Some musicians should stick to their roots; others can only get better the more thoroughly they betray themselves.

At Madeloud I have an interview with Norwegian black metal band 1349.

Many black metal musicians have been inspired by Satanism or alternately by traditional cultures or nationalism. Is that where you’re coming from at all? Or are there other beliefs and convictions you have which influence your music?

ARCHAON: For us this is about the art. But when that is said, it’s an artform coming from a background that had a great focus on such beliefs/convictions, and to a certain extent we are all believers of the individual being it’s own master – that’s where we would meet. Obviously, we are four individuals that would give you four different answers to this subject, but none of us are worshipers as such. And 1349 has never been a religious or a political band, and (most probably?) never will. Even though we’re all quite philosophical…I cannot see any of us going down that path, mate.

Also at Madeloud, I have reviews of two short albums by pop R&B group Allure, a review of 1349’s latest album Demonoir and a review of a new album by the dubstep duo Vex’d.

Utilitarian Review 6/5/10

On HU

Most of the week was devoted to the ongoing Asterios Polyp roundtable. Derik Badman, Craig Fischer, Vom Marlowe, Richard Cook, and me have all had our turns; Caroline Small, Robert Stanley Martin, and Matthias Wivel are still to come.

Also this week, Erica Friedman talked about condescension in comics.

Utilitarians Everywhere

On Splice Today I reviewed Prince of Persia.

So, okay, it’s true—this is a big, dumb, Hollywood action-adventure vehicle with nothing in its head except things blowing up, sword fights and pretty actors staring soulfully into each others eyes for a moment before more things blow up.

I’m okay with that.

Also on Splice Today, I talk about hook up culture, teens, and how the Atlantic Monthly is turning into an exploitation rag.

If you want to know whether girls have become more or less promiscuous, you don’t look at what they’re reading or listening to, or even at what big sex scandal occurred in which random college or prep school. You look at teen pregnancy rates. You can find out in less than 120 seconds that teen pregnancy rates fell in virtually every state between 1988 and 2005. After 1995, teen pregnancy rates nationwide declined every year for a decade, hitting their lowest point in 30 years in 2005, smack dab in the middle of Flanagan’s hook up decade. It’s true that the next year, in 2006, rates rose by three percent, and preliminary findings suggest they may have risen again in 2006. Even so, rates remain historically low; in 2006 teen pregnancies were only 71.5 per 1000, as compared to, 83.6 per 1000 in 2000, 99.6 per 1000 in 1995, and 116.9 per 1000 in 1990. To suggest, as Flanagan does, that teens were especially promiscuous in the past decade and a half is simply wrong. On the contrary, teen pregnancy has apparently declined for more than a generation, the growth of the Internet notwithstanding.

Other Links

Dara Lind explains why Facebook sucks.

Alyssa Rosenberg talks about MIA and Courtney Love.

Tucker Stone and Benjamin Mara have a long, thoroughly entertaining discussion about The Rise of Arsenal, of all things.

Utilitarian Review 5/29/10

Asterios Polyp Roundtable

In the coming week (and a few days) we’re going to have an extended roundtable on David Mazzucchelli’s Asterios Polyp. Besides the usual Utilitarians, columnists Matthias Wivel and Domingos Isabelinho are also planning to weigh in — and we’ll also have guest posts from Derik Badman and Craig Fischer. So please check back!

On HU

I started off the week by explaining why I wasn’t that into Urasawa’s Monster.

Domingos Isabelhino devoted his first monthly column, called “Monthly Stumblings”, to Pierre Duba’s Racines.

Vom Marlowe pointed and laughed at the art in Brave and Bold #33. Several commenters protested, and I did a follow up post speculating on visual tropes in super-hero art.

Richard Cook provided a history of Wonder Woman’s panties in covers.

Caroline Small looked at Barbarella the movie and why it should not be a target for feminist ire.

Suat sneered at Gantz.

And finally Suat expressed some skepticism about the excesses of the market for original comic art.

Oh…also, here’s a download of some semi-schlocky country weepers.

Utilitarian Everywhere

Former Utilitarian and current comics creator Miriam Libicki has been doing some guest blogging over at Jewish Books. You can see her talk about her creative process here.

Columnist Matthias Wivel is over on the tcj.com mainpage talking about the Komiks.dk festival in Copenhagan.

At Splice Today I talk about the best super-hero movie of all time.

Why is it the best superhero movie of all time? If you saw the TV show you know the general outlines. Adam West does not have foam-rubber pecs like his bat-successors, but he does have a cute little paunch which is clearly outlined in his skintight bat-costume, said paunch sitting unashamedly atop his shiny external bat-underwear. It seems Robin has poured a quart of rabid bees down his green short-shorts and is bravely fighting the pain by punching his fist into his palm while imitating a (much) skinnier William Shatner. And, of course, there’s the Batmobile, Bat Repellant Shark Spray, Bat Knockout Gas, and all other kinds of Bat ephemera, each carefully labeled for those who otherwise might confuse the Bat Repellant Whale Spray with the Bat Ladder.

At Madeloud I provide an introduction to black metal.

Whiteface corpsepaint, church burning, ungodly screams, and the odd unpleasant foray into fascism — from the outside, black metal looks fairly foreboding. But while that image isn’t exactly wrong, it is a little misleading. Some black metal performers have really and truly been associated with extreme excesses and ugly ideologies (Varg Vikernes, we are looking at you). But, if you can put that aside, the music is in general quite accessible — in some cases, even pleasant. If you enjoy shoegaze or indie rock or ambience, a lot of black metal will sound like a slightly satanic twist on some familiar tropes. Here are some places to start for those ready to immerse yourself in surprisingly friendly evil.

Also at Madeloud, I review the latest releases from folk black metal horde Blood of the Black Owl and indie folk band The Clogs.

Other Links

This is an adorable illustration of Lovecraft’s Shadow Over Innsmouth.

I enjoyed this part of Kristian Williams’ massive discussion of Oscar Wilde illustrations.

Even though I have no idea what House of M is, this is still a great post about the X-Men by Tim O’Neil.

Feminist Hulk Smash Patriarchy on Twitter!

Utilitarian Review 5/22/10

On HU

Kinukitty started her monthly column by pointing at KISS lyrics and laughing.

I interviewed critic Tom Spurgeon about comics and criticism. In comments, he tells me what he really thinks of me. It’s fairly unpleasant.

Richard Cook contemplates the Ant-Man, She-Hulk, and Cable films on the way in 2013.

Art critic Bert Stabler does a guest post in which he discusses bodies, essentialism, and feminist performance art.

I review Michael Kupperman’s Tales Designed to Thrizzle.

And I talk about racism in my favorite terrifying Tintin dream sequence.

Also, we’re going to be using captcha words for comments from now on in order to try to cut down on the crazed deluge of spam. You can avoid having to type in random characters when you comment by signing up in the upper right corner of the sight.

Oh; and I’ve uploaded a classic Scandinavian black metal mix.

Utilitarians Everywhere

I talk to Bert Stabler about Kant and God and other stuff over at his blog.

Bert: A God that pursues us, that moves in and out of us, is not an abstract principle of wisdom, nor a form of primal electromagnetism, but something else that contains elements of both of those things. Our wanting and changing and experiencing and relating are the things that are most relevant to God and to faith. I’m not totally satisfied with the way Kant addresses this, but he certainly tries, and for faith after the death of God, that’s an important start.

I review a passel of reissues of Johnny Cash’s 70s albums over at Madeloud.

Still, the real standout here is the title track. Built around an irresistible banjo hook, swirling swings, and a cheesy but somehow still aching horn riff, the lyrics neatly invert the standard gotta-ramble-baby trope, as Cash laments the fact that his woman won’t stay with him. “I know she needs me about as much as I need someone else. Which I don’t,/ And I swear some day I’ll up and leave myself. Which I won’t,” he sings, with plainspoken helplessness. Cash has always had an admirable willingness to look like a fool, and here the overblown, foofy production seems to emphasize his emasculation. “I know the only reason that she ever has to leave me is she wants to.” The song is, like unequal love, both ridiculous and heartbreaking.

Other Links

This is one of my favorite of Tom Crippen’s reviews so far.

Robert Boyd has some interesting speculations about the impace of criticism on theater productions embedded in an (also interesting) discussion of Jules Feiffer.