Editorial Cartoons: Four Reactions to the Egyptian Protests

Like everyone else in the rest of the world, I’ve been following the momentous events occurring in Egypt. But reading all the articles, editorials, analyses, and blog posts is a lot of work. Fortunately, there are editorial cartoons, an ancient medium dedicated to providing news to the illiterate and the very lazy.

Editorial cartoons lack the space for any nuanced commentary, so instead they impart a simple message that elicits an immediate emotional response from the reader. Of course, that response can vary depending upon the biases and assumptions of both the artist and the audience. After reviewing all the cartoons I could find addressing the Egyptian protests [primarily from the United States], I noticed that most of them were designed to elicit one of four reactions: joy, fear, ambivalence, or self-criticism.

Joy

Simply put, the overthrow of a dictator is a time for joy.

By Arend van Dam

The people literally become hands that drag down the flail of oppression. Though its not the best idea to bring down the flail on top of yourself.

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Made For You and Me: Localizing Disney’s Imperialism for an Egyptian Audience

 

I would be hard pressed to pick a better mascot for the United States as an imperial hegemon than Mickey Mouse. In Egypt — as with most of the “developing world” — Mr. Mouse is ubiquitous: you can see his big round eyes staring at you on the side of taxi cabs, through the glass windows of clothing stores, and from the cover of popular comic books. In fact, it is in this latter form that many Egyptians have come to know and love Mickey Mouse, or rather have come to know and love “Mîkî.”

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