Abortion and Violence

This first appeared a while back on Splice Today.

Abortion is an act of violence. There’s not really any way to get around that. Therefore, if you oppose violence, you should oppose abortion — or so Ross Douthat argues in his column a bit back at the New York Times.

Douthat focuses specifically on the recent media flurry around Kermit Gosnell, a doctor in Philadelphia who specialized in gory, late term, unsafe abortions. The left wing and feminist media had covered Gosnell extensively, arguing that he was a horrible, bloody example of the results of Pennsylvania’s tight restrictions on late-term termination of pregnancy. Mainstream meida, however, had been less interested in covering the case. In Douthat’s view, this was because the mainstream media knew that its viewers would be horrified and disturbed by the details. Douthat argues that feminist and committed pro-choice advocates have made their peace with the violence of abortion. Others, though are more conflicted. For those in the “mushy middle” as Douthat says, the revelation of the brutality of abortion is off-putting — and so the mushily pro-choice mainstream media avoided the story.

Or, as Douthat sums up his argument:

To respond effectively to the doubts about abortion that fetal snipping summons up, pro-choice advocates would need arguments that (to rephrase Senior’s language) acknowledge and come to terms with the goriness of third-trimester abortions while simultaneously persuading the conflicted and uncommitted of their validity, and that somehow take ownership of the “violence” and “gruesomeness” of abortion (to borrow Harris’s words) without giving aid and comfort to the pro-life cause. And in the absence of such arguments, the pro-choice response to Gosnell feels either evasive and euphemistic, or else logically consistent in ways that tend to horrify the unconvinced — and in either case, inadequate to the challenge his case presents to the cause of abortion rights.

I think Douthat’s argument is right as far as it goes. Gosnell highlights the violence of abortion, and when people see that violence, they are repulsed.

What Douthat fails to note, though, is that restricting abortion is also violent — and sometime gruesomely so. Pregnancy is an intimate and difficult process; birth, as even men are aware, is extremely painful. To force someone to carry a baby to term and give birth against their will is to subject them to months of coercion ending in terrible physical pain. In extreme cases, as when the mother’s life is endangered by the pregnancy, refusal to allow abortions can be a death sentence. In cases of rape or incest, the outlawing of abortion can consign a woman to hideous, inhuman psychological trauma.  This is why Todd Akins and his ilk try to deny that abortion from rape can occur — because, if they once admit that it can, the cruelty and violence of the radical pro-life position becomes painfully clear.

Douthat suggests that the mushy middle would be moved to oppose abortion, or at least late term abortion, if it only understood how hideous and violent the pro-choice position is.  One might argue, on the contrary, that if the mushy middle really thought about cases of rape or incest or where the mother’s life is threatened, they would see how hideous and violent the pro-life position is. But the truth is that the abortion debate has been going on for a really long time; pro-life groups have fully publicized the violence and gruesomeness of late term abortions; pro-choice groups have fully publicized the violence and cruelty of denying abortion in cases of rape or when the mother’s life is threatened.

The mushy middle remains the mushy middle not because people don’t understand the violence, but rather because they understand that, on this issue, there is no escape from violence. On the one hand, there are dead fetuses; on the other, there are tortured women. Douthat suggests we can have clean hands if we step away from the first…but that’s only because he’s ignoring the second. Those in the mushy middle may not have thought about the issue as much as he has, but their confusion and ambivalence seems considerably more honest.

This is why, now, as ever, the best approach to abortion is to make it, wherever possible, unnecessary — by making contraception easily available, by providing sex ed, by improving social services so that raising children is not such an economic burden. Once a woman is pregnant with a child she does not want, your only option is to use state force to inflict violence against an actual human in the name of preventing violence to a potential human.  I’m pro-choice in pretty much all circumstances, but I understand why some people come down in a different place. Douthat, in his column, quotes several pro-choice writers acknowledging the violence of their position.  I wish Douthat was honest enough to acknowledge the violence of his.
 

Abortion Anniversary

Utilitarian Review 12/26/09

A little quiet this week, what with the major holiday and all. Still, we blogged away…

On HU

We started out the week with a return to my halcyon days of writing scatological prose-poems.

Kinukitty posted about the joys of reading yaoi novels on the Kindle.

Vom Marlowe reviewed How to Draw Manga: Ultimate Manga Lessons Vol. 5: Basics of Portraying Action.

I sneered vigorously at Chris Ware’s Halloween New Yorker cover. If the comments to the post aren’t sufficient, there’s also a thread on the TCJ message board devoted to the topic.

Richard discussed his reaction to the first volume of Lone Wolf and Cub.

And finally this week’s download included no Christmas music at all.

Utilitarians Everywhere

Over on tcj.com, Suat reviews Suat on Carol Tyler’s “You’ll Never Know”

Written in 1994, Carol Tyler’s “The Hannah Story” was a tribute to her mother, Hannah, and her strength in dealing with her in-laws as well as the death of her daughter, Ann. Despite the intervening years, Tyler’s sensitive “voice” remains easily recognizable in her latest book, You’ll Never Know.

At madeloud I have up the first of a two part series on Thai luk thung music videos.

Even more flamboyant is “Arom Sia” by actress and singer Apaporn Nakornsawan. The title means “Sick of It All,” and indeed the performer appears to have become so disgusted at her romantic troubles that she has turned to super-villainy, luring the Justice League into some sort of catastrophic defeat at the hands of a gay pride parade.

At Splice Today I talk about the overcarbonated new dolphin show at Chicago’s Shedd Aquarium.

The most heart-tugging moments in the show, though, involve not the cute penguins, nor the noble hawk, but rather the trainers. Demoted from educators to props, they are ruthlessly dressed up in penguin suits or decked out like British hawkers or hoisted up on pulleys and dropped from a height into the water. Yes, they seem cheerful enough about it in general but good lord-it all seems like a rather cruel punishment for the comparatively minor sin of being a zoologist.

Over at Bert Stabler’s blog we continue our conversation about the book of Job, and discuss Stanley Milgram’s experiments, among other things. The quote below is from Bert.

Basically, if you lose everything for no moral or practical reason, whether it’s because God decides to destroy your life arbitrarily or because he can’t stop bad things from happening or because it’s part of some grand scheme for the betterment of the universe, we cannot ultimately hold God to account. He’s God, he’s not a limited being with petty motives. God is like a petty dictator, but he’s also not. He’s not a transparent, contingent demiurge– he’s a remote yet ubuquitous source of energy.

And at metropulse I contributed to a pretty entertaining best of music list.

Other Links

Tom Spurgeon’s been doing a bunch of interviews with critics about some of the best or most influential books of the decade. I think my favorite so far is his discussion with Kristy Valenti about Little Nemo.

Shaenon Garrity has an interesting discussion of manga translation issues on tcj.com.

And finally, I’ve mentioned a couple of times that I often disagree with Jeet Heer on most everything. I have to say, though, that this essay about representations of homosexuality in classic comics is pretty great from start to finish. The essay carries a lot of learning very lightly, and includes a number of zingers, most notably: “Like most professional moralists, Bozell has no real sense of history: he’s a traditionalist with no grounding in the past.” Andrew Sullivan linked to it, and deservedly so.

Utilitarian Review 12/12/09

Utilitarian Review is a weekly round-up of post on HU, links to other things I or other bloggers have published this week, and some random links as well.
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On HU

This week started off with my discussion of the great surrealist artist Leonora Carrington and her drawings for the novel “The Hearing Trumpet.”

Kinukitty posted a lengthy appreciation of Tomoko Hayakawa’s The Wallflower.

Richard Cook posted a review of Brian Azzarello and Victor Santos’ Filthy Rich.

Ng Suat Tong talked about the original art market for comics.

And finally Vom Marlowe reviewed the first volume of Adam Warren’s Empowered.

Utilitarians Everywhere

At Comixology I have a longish review of Yuichi Yokoyama’s Travel.

In Yokoyama’s work, too, the viewpoint swoops and swerves, now with a skier on a high mountain pass, now underneath the train. There is certainly a celebratory, joking tinge to Yokoyama’s impossibly mobile camera. But there is also something ominous. In one sequence from the book, our protagonists’ train passes another going in the opposite direction. A whole page is devoted to the faces on the other train. They are shown in four tiers of three blocks each; all are streaked with violent motion lines; all are the same shade of grey as the window frame, all stare intently outward at the viewer. The scene is oddly disturbing; the repetition of the faces, the repetition of the expressions; the lines going through them, the grid — it’s dehumanizing, as if the faces are not people at all, but manikins, or masks.

On the TCJ.com main page I reviewed Fumi Yoshinaga’s Ooku: The Inner Chamber.

At Splice Today I reviewed Arie Kaplan’s book about the Jews and comic books, from Krakow to Krypton.

Over at the Knoxville Metropulse I reviewed the new Animal Collective ep, Fall Be Kind.

At Madeloud I reviewed Miranda Lambert’s Revolution.

In the hidebound print-based media department, I have a couple of album reviews out in the latest issue of Bitch magazine.

And former Utilitarian Bill Randall has a review on the tcj.com main page of the hipster mess that is I Saw You.

Other Links

Matt Thorn has a withering essay about how much current manga translators suck.

Shaenon Garrity has a post on the Tcj.com main page about Power Girl’s explication of her boob window. I also enjoyed Shaenon’s post about Fumi Yoshinaga.

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