Utilitarian Review 3/13/10

On HU

This week was devoted to our (still ongoing) roundtable on copyright.

Utilitarians Everywhere

At Comixology I talked about Steven Grant’s Punisher series, Circle of Blood and the connection between super-heroes and noir.

From the neck up, though, the Punisher isn’t hyper-competent at all. Instead, he’s more like the classic noir dupe. Though he has a certain tactical animal cunning, his inner monologue is obsessively repetitive in a way that suggests borderline idiocy — where Batman’s traumatic backstory has, supposedly, made him smarter, the Punisher’s has left him, in Grant’s writing, a monomaniacal mental and emotional basket-case. The Punisher is, like most noir men, childishly easy to fool. He stumbles into traps, is bamboozled by a shady conglomerate called the Trust, and, inevitably, betrayed by a woman. His solve-it-by-shooting-it approach to every problem results in heaps of dead bodies, including that of one child. Said child’s death sends our hero into a self-pitying funk, complete with flashbacks and profound utterances (“It’s got to stop. The poor children.”) which, at least from my perspective, makes him appear more damaged, dangerous, unsympathetic, and unheroic than ever.

On tcj.com I reviewed Fumi Yoshinaga’s All My Darling Daughters.

At Madeloud I interviewed Best Music Writing series editor Daphne Carr: Part 1; Part 2.

Also at Madeloud I reviewed Priestess’ prog metal opus, Prior to the Fire.

Other Links
Dirk kicks ass.

Jason Thompson on incest in manga.

Tucker argues that illegal downloading is bad because it betrays the can-do rapacious imperialism of our forefathers.

And Tucker also pointed me to this article about why contemporary poets should just go ahead and die already.

And here’s a long, academic, and pretty fascinating article about yaoi and homophobia.

Utilitarian Review 2/19/10

TCJ.com/fail

Much of the blogging this week was devoted to sneering and snarking at our host, TCJ.com. I started things off by noting that, after two months, the site still sucks. Suat concurred, only moreso. In comments, former TCJ editor Robert Boyd also agreed. Bill Randall, somewhat despite himself, did a guest post offering tcj.com his professional advice as a web marketer.

A number of folks also weighed in from around the blogosphere, including Johanna Draper Carlson, Heidi at the Beat (Update: and Heidi again, even nastier this time) and Sean Colllins.

In coincidental eat-your-hear-out-news, Comics Comics got a lovely redesign and Fantagraphics publisher had a major article analyzing the direct market and book market which he wrote for…the Comics Reporter. (Both links and schadenfreude courtesy of that Sean Collins link above.)

And also coincidentally — while we were all sneering, tcj.com had what was probably it’s best week thus far, at least in terms of content. They posted a brand spanking new knock down drag out Kevin O’Neil interview conducted by Douglas Wolk; a monumental three part history of the Direct Market from the archives courtesy of Michael, Dirk, and Gary; a short but very good essay by Dirk about the shake-up at DC; and a timely essay on the Captain America vs. tea partiers brou-ha-ha, which even energized the comments for a moment there.

On the one hand, this hits a lot of the things I said I’d like to see more of on tcj.com: interviews, a greater presence from editorial; and more creative use of the archives (I don’t know if I said that last one, but I should have.)

On the other hand…it’s when the content is going great guns that you really feel the crappiness of the site design. The direct market essays have already disappeared down the pooper shoot. Sticking the O’Neill interview to the top of the page seems like a good move given the options — but it still looks amateurish, and results in everything else essentially being invisible for the entire week. And there are still those what-the-fuck moments, this week provided by Ken Smith, who, love him or hate him, needs to be moved to his own blog.

Still, improvement is improvement. I feel more hopeful about tcj.com’s future than I did when I wrote my post at the beginning of the week, and I am duly grateful.

Update: Gary Groth responds with a bunch of good news, including a new staffer, plans for a news feed, and plans to do some more redesign. All of which makes me cautiously optimistic that this may be the last edition of tcj.com/fail.

Also on HU

Our new blogger Caroline Small (better known as Caro if you read our comments sections) started out with a bang, reviewing The Bun Field and discussing copyright and free culture.

Richard Cook reviewed the Planet Hulk DVD.

And I did a short review of the comic about copyright, “Bound By Law?”

Also, inspired by all the web design talk, I added a couple of features to the sidebar there, including a search function and a Recent Comments section. Let me know if the changes work for you all, or if there’s something else I should try to put over there. My wordpress skills are pretty lame…but I can always give it a try.

And no download this week…because I’m busy working on my essay for our Ariel Schrag roundtable, which will start tomorrow. We are focusing on her last book, Likewise, and Ariel herself is going to guest post (probably at the end of the week.) Critic Jason Thompson is also going to do a guest post, so there’ll be a lot of activity here. We’re starting tomorrow, so click back.

Utilitarians Everywhere

At Splice Today I explained why indie rockers Untied States can’t get out of the avant garde alive:

Not that Untied States has just one influence. “Not Fences, Mere Masks,” has a few bars lifted from the Beatles to break up the Sonic Youth. “These Dead Birds” sounds like Sonic Youth pretending to be the Beatles until it shifts into just sounding like Sonic Youth. And “Grey Tangerines” sounds like Robyn Hitchcock fronting Sonic Youth.

Other Links

I liked this discussion of the politics of yaoi.

I liked these awesome Japanese gag cartoons.

And though I maligned him earlier in the week, I nonetheless liked this essay on abstract comics by Kent Worcester.

Bill Randall Provides Free Professional Advice for TCJ.com

I still haven’t reconciled myself to Bill Randall’s departure from this blog…so I’m going to pretend he’s still here by stealing his comment from an earlier thread and making it into a post against his will.

Especially since I occasionally hope that someone form tcj.com reads this site, and I wanted to put this where they’d see it, just in case.

So here’s Bill:

My quips aside, here’s an online marketer’s perspective, since I do that in real life. And I am snowbound & procrastinating, unlike Vancouver.

(My first draft turned into an online business plan. Split-testing, Crazy Egg, conversions. Madness! If you’re interested, drop me a line and I’ll have you selling acai berry in an hour.)

Short version: the design gaffes suck, mainly for framing the launch as TCJ/Fail. Yet they can be fixed… install the Disqus comments manager here, move the RSS feed to the top there. “Continuous muddling” becomes “continuous improvement,” as Toyota would have it.

The big problem?

The “interminable stream of content” favors clicks, while TCJ is (and should be) written for readers.

For clicks, sell ad space. Split articles up over multiple pages. Tell advertisers you get X unique visitors and X^2 pageviews. Put the ads in the hotspots for ads.

For readers, find out what they want, watch what they do. Give them free stuff (essays, TCJ-Date, Krypto-Revolution of the Age with tween trolling & RickRolling in the comments) and they give you time & attention, eventually as a reflex. Everyone reading this has sites you check 5 times a day, and TCJ’s main page is not one of them. HU might be.

Right now TCJ’s design favors clicks over readers. Johanna Draper has pointed out it needs just a few small fixes– the commenting thing is the main one, easily fixed with a plugin like Commentluv or Disqus. Read her post, though, for her accurate take on the mismatch in Gary Groth’s opening shot and the reality of the site’s execution.

One of the biggest things I’ve learned since Noah invited me to HU, since I left, and from hanging out, is the very real degree to which the internet is about conversation. Its whole damn architecture favors conversation. Whoever fosters that will thrive, whoever stomps it out or ignores it will fade. Noah’s very, very good at fostering it. TCJ was when people wrote letters. If it can translate the spirit of the old Blood & Thunder into curated blog comments, six months from now everyone will be reading it first thing in the morning for the spit & gristle.

And buying acai berry from their email list.

And here’s a question: what are some sites to model?

PS
I left out the best thing.

__________

Update: And while we’re on the subject: why the hell is Eric Reynolds writing this for the Comics Reporter rather than TCJ.com? (Link by Sean Collins.

Update 2: Just to be clear; there’s nothing against Eric. It’s a fascinating essay, and Tom’s to be congratulated for getting it and putting it up. But it just seems like gross negligence that tcj.com can’t even get important news features and scoops from Fantagraphics own publishers.

TCJ.com/fail/update: A Comment

(Part of an impromptu mini-roundtable on the failure of TCJ.com)

A few days ago, Noah wrote to me about a critical endeavor that he is planning for the HU site. By the by, I mentioned that TCJ.com deserved another “kick in the butt” now that it had enough time to improve itself to which he responded that he was planning a little something on Sunday (read here).

Noah’s complaints are not the voice of a single cranky individual, they are merely some of the unvoiced grievances of a number of online reviewers and comics enthusiasts. Noah, as well as I, can point to a number of seasoned reviewers and bloggers who find the new TCJ.com a mess.

Continue reading

TCJ.com/fail/Update

It’s been more than two months since I wrote this post discussing some of the problems on TCJ.com. I wanted to do another go round — though I think this time there’ll be a good bit less fire and brimstone. In part that’s because there have been improvements to the site. Mostly, though, it’s because my initial disbelief and panic has largely given way to resignation. This is the tcj.com we’re going to have; best to get used to it.

Let’s start with the positive though. The site design has been improved. Clear visual boundaries have been added at the bottom of each post, and the “Read More” links have been made clearer and more attractive. Some (though not all) posts now have brief summaries on the main page rather than just starting in with text, so the posts no longer ends in the middle of a sentence. The Comments links on individual posts are also easier to find. And helpful blue tags (“Review” “News” “Blog” etc.) have been added to each post. All of this may seem like small beer, but the cumulative effect is noticeable. The site still isn’t particularly appealing, and the flashing ads on the side remain distracting and ugly. But it’s no longer a chore just to look at the content.

TCJ has also added a box of links to “Top TCJ” stories in the sidebar. Again, it’s not a huge change, but it’s definitely a good idea — and will hopefully give new users a good introduction to recent content. Individual posts now have social networking links available, which seems like a good move. And the link to the message board is now better marked, which is helpful (though it may be too little too late at this point.) Finally, TCJ is now down with those newfangled social networking sites. (Though one of the first Twitter posts is a Ken Smith link? Why?)

So that’s the good.

The bad is that TCJ’s content has been unsettlingly erratic, to put it mildly. There remains a lot of good writing, from Shaenon Garrity, Matthias Wivel, Tom Crippen, and many others.

But there’s also been David Ritchie posting random tchotchkes, Dave Pifer posting even more random snapshots and
Kent Worcester posting his course syllabus, complete with advice on writing style quoted from Strunk and White. And while these are particularly egregious examples, they aren’t aberrations. You don’t get through a week on tcj.com without at least a post or two that makes you think, “what the fuck?” And not in a good way.

The problem here isn’t that posting random photos or random crap or your syllabus is necessarily wrong. My very strong preference would be not to look at any of those things…but probably someone out there is interested, and what the hell…more power to them. I mean, I keep posting these music downloads even though it’s fairly clear nobody really wants them. But, damn it, it’s my blog, and my readers can l scroll past it once a week if they want to get to the comics criticism.

That’s kind of the thing though; it’s my blog. With tcj, it often feels like there’s nobody at the helm. To pick on poor Dave Pifer again — who is he? Why am I looking at this snapshot he posted, anyway? TCJ.com has managed to get a blog’s randomness without the blog’s personal touch. Thus, for example, R. Fiore’s one-liners come across not as charming eccentricities, but as half-assed fuck-yous by somebody who’s posting because he’s supposed to, rather than because he’s actually committed to being there.

The sense that no one gives a crap is only accentuated by the fact that so many of the supposedly regular bloggers are already AWOL. Where did Anne Ishii go? Eric Millikan, one of the most interesting promised bloggers, barely even got started. There are some constants; Shaenon has been a rock; R.C. Harvey pops up consistently to talk about the comics pages; Rob Clough has been blogging his heart out. But overall…well, on February 10, there were 7 posts, one of which was an HU link, and one of which was Journalista. So you’ve got like 20 writers listed on the side there and effectively five posts. One of which, as it happens, was a review by me.

Meanwhile, on the same day, Tom Spurgeon had 17 posts. Sure, some of them are just individual images…but many of them were substantial. With its layout problems, the one thing tcj.com had going for it was the promise of constant, high-quality content…and yet its team of dozens is getting its ass kicked by one guy. Because that one guy actually cares. And caring, as it turns out, really matters.

I’m being somewhat inconsistent here; in my earlier post I said there was too much content; now I’m saying there’s too little. But, alas, I think the site has managed to have both problems at once. Because there’s no sense of why what’s being posted is being posted, the site feels both overwhelming and insubstantial. The whole thing has an air of despairing malaise — the toilet paper spools and spools, and you can hear the creaking and the distant flush. Who are we talking to? Do they want to hear tit jokes? Do they care what happens at the Hooded Utilitarian, and if so do they really want those damned desperately “controversial” updates every day? The comments sections positively echo; the message board has been rendered almost mute; it’s like everyone’s sitting around with their mouths slowly sagging, waiting for the drool to plop out and ruin their laptop so they can get up and burn their longboxes in despair .

I’ve made suggestions before about what the site should do, and I guess I still have ideas about what I’d change if I were king of the world. But at this point it mostly feels like rearranging the deck chairs, etc. — or, to pick a more poignant metaphor, like adjusting the format of your magazine for the fifth time while the industry goes belly-up. I think tcj.com’s main problem is simple, and perhaps unfixable — there’s no sense of editorial guidance. I have the highest regard for Gary, Michael Dean, Kristy Valenti, and Dirk. Individually and together, they know a ton about the industry, a ton about the internet, and a ton about putting a magazine together. For whatever reason, though, all that talent, knowledge, and dedication has so far added up to a site which seems to be running on autopilot. I mean…why not have themed weeks? Why not have roundtables? Why not have new interviews, for god’s sake — that’s what the Journal is known for, right? (And when you do have an interview why not include a paragraph or two of introduction so that people who don’t already know the interview subjects have some incentive to wade into the four part video?) Why not have Gary dive into that rolodex and get some creators to write pieces? Why not do something to make it seem like the energy that went into so many issues of the journal is being put into tcj.com? Everybody involved knows that a successful magazine needs enthusiasm, heart, and genius if anyone is going to want to read it, but nobody seems to have noticed that a successful website needs the same thing. The cosmetic changes are helpful and appreciated, but until and unless someone decides to treat this site as a personal labor of love, it’s not going to be worth the bytes it’s printed on. And bytes aren’t worth a hell of a lot.

_______________

Update: Suat has an even more brutal take here

Update 2: And Johanna Draper Carlson weighs in.

Just in case anyone thinks that this particular snarkfest brings me joy, I thought I’d mention that reading Suat and Johanna on tcj.com, as well as many of the comments here, makes me feel vaguely sick. I would like tcj.com to succeed anyway, but having tied my fortune to their wagon…well, let’s just say I keep hoping that things aren’t as bad as I think they are. Being continually disabused of that hope by a long line of folks whose opinion I value is not especially pleasant.

Update: And Heidi weighs in.

Utilitarian Review 1/9/10

On HU

Lots of bytes through the sluice on HU this week.

To start off, I sneered at the Yeah Yeah Yeahs and wondered about Fantagraphics’ marketing policy (Fantagraphic marketers showed up to explain in the comments.)

I denounced Lady Snowblood, movie and comic, on the grounds that they are evil. Suat came back with a lengthy defense

I defended blogging and even got all emo about it. In another meta moment, I defended my right to think Ganges is boring and sneer at other comics critics and spit bile more or less indiscriminately, damn it.

Kinukitty reviewed the yaoi Dining Bar Akira.

Richard kicked off a new series, Anything But Capes, in which he looks at genres other than super-heroes. He started off by looking at the state of Barbarian comics.

Suat reviewed Ooku, which he doesn’t like as much as me.

I explained what my son has and has not learned from Peanuts.

Vom Marlowe drew a comic expressing her disinterest in X-Men Forever.

And this week’s music download features lots of doomy drones and other metal. (Last week’s, if you missed it, features Thai country music (Luk Thung.)

Utilitarians Everywhere

My enthusiastic review of Dokebi Bride is up on Comixology this week.

That departure, I think, points to the core knot at the heart of Dokebi Bride. The book, like many ghost stories, is about grief and dislocation and how the two circle around each other like black, exhausted smudges. The first volume opens with Sunbi’s father carrying her mother’s ashes back from the grave; that volume ends with the death of Sunbi’s grandmother, who raised her and cared for her. The central loss of a parent, and therefore of self, returns again and again through the series, a literal haunting. Sunbi can’t function without putting the past behind her, but the past is everything she is — she can’t let it go. When a fortune teller offers to read her future, Sunbi rejects the offer angrily. “No, I don’t want to know about my stupid future!” she bites out through her tears. “Just tell me what all this means to me! Tell me why they’ve all died and left me, why they’re even trying to take away my memories!”

On Tcj.com I reviewed Strange Suspense: Steve Ditko Archives Volume 1.

Did you read that whole thing? If you did and you enjoyed it, you’re a hardier soul than I. “I got my letter and then I thought about my letter and then I thought about my letter some more and then I used a metaphor: ‘leaden feet’!” That’s just dreadful. And, yes, that’s the one romance story in the book, but the horror and adventure comics are not appreciably better; there’s still the numbing repetition, the tin ear, and the infuriating refusal to finesse said tin ear by leaving the damn pictures alone to tell their own story.

Bert Stabler and I talk about Zizek and art over at his blog Dark Shapes Refer.

I like the idea that you need a transcendent background in order to appreciate, or even allow for, multiplicity. I’m thinking about this a little bit in terms of culture and art, and the impulse that I think most everyone has to want people to consume/listen/read/whatever the right thing. It seems like that’s coming from a place where the transcendent is material; that is, your worshipping the art itself, therefore moral choices become essentially consumer choices. Alternately, you just cut culture and morality apart altogether, and argue that neither has anything to do with the other. Whereas if you have a transcendent ground of some sort, you can say, well, culture connects up to morality and or important things in various ways, and you can talk about it in those terms, but choices about art are not in themselves good or evil.

On Madeloud, I review the soundtrack to the BBC miniseries Life on Earth, which profoundly affected my life when I was, like, 8.

Over at Metropulse, I have a review of avant Japanese guitarist Shinobu Nemotu’s Improvisations #1.

At the same site there’s also a review of the slab of black doom that is
Nihil’s Grond.

At the Chicago Reader I review the fairly amusing gimmick book Twitterature.

Other Links

I enjoyed Tucker Stone’s Best of at Comixology, especially since he picked the right thing for book of the year.

Ta-Nehisi Coates explains why he wants to be able to check “Negro” on his census form.

And finally, Johanna Draper Carlson has a nice summation and round up of links relating to the devil’s bargain between MOCCA and Archie Comics.

Yesterday Was Always Better

I promise this will be the last post for a while where I troll my proprietors. Unless they keep pissing me off, I guess.

In case you missed it, Gary Groth, the editor of the Comics Journal, has a Welcome to TCj.com post on the main page.

The essay is basically an unctuous exercise in self-hagiography. Gary reminisces about the good old days, slaps his knees, and bellows, “Eh! I just don’t get this new-fangled blogging! Why, I’m going to show those young whippersnappers how to criticize if I can only get my darned ear-trumpet out of my…eh, what part of me is that, anyway?”

I joke, but really, it’s a depressing spectacle in a number of ways. Most obviously — well, Gary really is somebody I admire, as I noted in my last post. He wasn’t a formative influence or anything, but he’s a good writer and a smart guy. His magazine took a chance on me when I didn’t have much of a name for myself, and while that was mostly Dirk, it was Gary who gave him the rope to do it, and I’m grateful to both of them. They took another chance bringing this blog here, for that matter, and I appreciate that as well.

Moreover, between the bouts of self-congratulation and maudlin reminiscing, Gary actually has a point. He and TCJ really do have a good deal to offer to folks who write and/or read about comics. There’s a roster of critics, like R. Fiore and Gary himself who haven’t had much of an online presence, and they’ll certainly be welcome. Having the Journal content free and online will be a boon to both casual readers and researchers. The long-term perspective on criticism and the comics industry which Gary has is not unique certainly (Tom Spurgeon and Johanna Draper Carlson have both been critics for a while, to name just two examples) but that doesn’t mean it’s not worthwhile.

So yeah, Gary and the Journal bring a lot to the table. But they will both offer less — and possibly a lot less — if Gary spends all his time online preening over his past accomplishments and sneering at everyone who doesn’t have the good luck to be him.

I doubt Gary noticed the irony, but at one point in his article he quotes this aspirational paen to comics, penned back in those days when Nobody But Gary And A Few Other Like Minded Visionaries Took Them Seriously. The quote’s by Richard Kyle.

The commonplace world is built of iron fantasies, a place where yesterday was always better.

In the commonplace world, all new arts are trash. In Elizabethan times, it was commonplace to say that Shakespeare’s theatre was trash. And then it was the novel’s turn: the novel, they said, was trash. And then the film came along. First it was the silent film, and the commonplace was that it was trash — until the sound film emerged. Then the silent film suddenly became an art, as the theatre and the novel had, and it was the sound movie that was trash. Today, all film is becoming art. What’s trash today, then? Comics, of course. But now that the newspaper strip is ailing, the commonplace is that it may be art. Those comic book stories, though, they’re surely trash…

As Gary says, it’s a nice quote. Though, you know, if Gary had actually read it, he might have been reluctant to write this a few paragraphs later.

Very little writing on the Web is of any real critical worth — or even pretends to be— and there is no journalism to speak of. I have never assiduously followed comics blogging, but so much of what I’ve read feels dashed off — amateurish, shallow, frivolous.

That web writing — that’s surely trash.

Not to go out on a limb to defend writing on the web or anything. There’s a lot that’s not very good. On the other hand…you know, virtually everyone who’s written for the sainted Journal in the past ten years is on the goddamn web. Not just Robert Stanley Martin and Bill Randall, but Jog, and Shaenon and Alan David Doane, and Sean Collins and Chris Mautner and Steven Grant and on and on. If you don’t know how to use google, that’s not the blogosphere’s fault.

On the other hand, if you’re talking amateurish, how about posting sixteen lines of tag-spam, completely filling the top of your new website’s screen with a list of boring crap, presumably because you simply don’t know what the fuck you’re doing? If you’re talking shallow, how about admitting that you don’t really read blogs, and then broadly condemning them on the basis of that? If you’re talking frivolous, how about an entire two-page post devoted to discussing how awesome you and your friends were back in the day?

Let me put it to you simply, Gary. If you’re in the room, you’re not cooler than the room. The Internet isn’t going to fall on its knees and worship your tag-spam just because you’ve been doing the comics criticism thing for a while and now you’ve blessed it with your presence. Which isn’t to say that you don’t have a lot of goodwill; you absolutely do. I don’t know tons of people in the blogosphere, but everyone I do know, even folks who are more or less your competitors, wants you to succeed. And, yeah, being a curmudgeon is part of your charm — don’t stop with that. But, for a moment or two, you might think about whether you, in fact, know it all, or whether it’s possible that, in this new venture you’re undertaking, you could, just maybe, have something to learn. With love, with respect, with hope even, I ask you, stop being a horse’s ass. We need you to do better.